Keeping him happy and safe is a metric, and while you might come to care for him, it's clear very early on that this is your adventure, not his. The choices are all yours, and Fogg is more something to manage in the background. You quickly discover the great Phileas Fogg, while not necessarily a bad man, is a financier rather than an adventurer. What makes the game interesting are the adventures and stories you'll find along the way. It's in France where you are given your first introduction to story and its branching choices-you can choose to explore or tend to your master, but the main goal is to try to uncover more routes to continue your journey. Then stretches of paths are presented to you with lines that extend across a globe, though the first one is the brief journey from your starting point in London to the first stop in Paris.

You're instructed to pack your bags, giving you a look at the item management system which presents itself in a grid-based format, fitting things into as many suitcases as you can currently afford to carry.

Immediately you are introduced to most of the central mechanics. There is no dallying as you are informed through lines of text that your master has taken on quite the wager and you are to travel the globe. Verne named the character after the real-world adventurer Wiliam Perry Fogg, however, as we come to learn in this reimagining perhaps his servant should have been the one to inherit the famous name. It's a narrative adventure where you take the role of Passepartout, the devoted French manservant of one Phileas Fogg-the character who famously circumnavigated the globe in 80 days in the classic Jules Verne novel descriptively titled Around The World in 80 Days. To venture around the globe on the whim of a wager is an exciting premise, but it is truly the stories you uncover along the way, rather than the end goal that make 80 Days a delight to play.

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